Sunday, May 1, 2011

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The Importance of Being Earnest




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The Importance of Being Earnest



By Juan Sasturain

had been many years since I reread On Heroes and Tombs. I did in those days. I'm going to be obvious: it is original and powerful novel, with memorable moments in the narrative irreplaceable Argentina. So powerful is comfortably survives his thick defects, which are those of the author: the desire of explanation, the over-emphasis, the eloquent speech, the repetition of the preacher convinced unpunished. Is that neither before nor after, Sabato wrote something better. That put everything and it worked, despite or because of the excess, despite himself, we can venture.

The novel has characters and sequences unforgetta-vidables, quite successful. It stands out, as often noted, the third segment of history, the renowned independent report "Report on the Blind" in which sovereign abounds in word and deed, Fernando Vidal Olmos, alienated Arlt worthy of the best junior or David Lynch. But still holding on to all its lyrical and evocative power the long, treacherous final counterpoint between the mythical (perhaps forged, even) epic of the Legion of Lavalle and gritty, carrying the corpse of his boss always north up the Gorge, and the march towards the south and Patagonia Bucich Martin with the trucker, with the invincible epilogue scene, with the two pissing on the side of the road and under the distant stars, "Well, sleep, kid. Tomorrow we cross the Colorado. "One of the big end of literature in Argentina.

And not only that time and classics. During the first segment, "The Princess and the Dragon", the character of Alejandra reached through the look of fragile Martin, a mythic dimension. Nobody who has read this novel at twenty-and we spent many, then, can forget that dark mine, a little asshole, and disturbing stories. From this sequence, spaces as Lezama Park Barracks and the mansion became once and forever in the mystery locations. Only two Alexander in our literature and she Pizarnik. Extensive chronic

Bruno about his relationship with Fernando Vidal Olmos, covering with weather-Arlt, a long period of social and political history of Argentina, who is from the second to fourth decade of the century, occupies much the last section of the novel - "A God Unknown" - and has substance and tone own narrative enough material for a novel apart. In that sense, On Heroes and Tombs account, healthier, more stories and more tips strip that is ready to close. Then there are the Traditionalists intervals, with occasional contrasting two characters, both constructed from verbal record: the picturesque Heriberto J. D'Arcangelo in Boca environment, borrowed from Cale and Caesar Brutus; or unleashed Quique's boutique Barrio Norte, which announces the satires Tía Vicenta Landru on. Although many of his subsequent gestures seem prove otherwise, Sabato also learned to laugh and make people laugh.

Actually, not deprived, for better or for worse, nothing. The novel takes place during the last two years of the Perón and it shows all the time. If Beatriz Guido had said, and not just fire her, the Jockey Club from the perspective of (his) class, in On Heroes and Tombs, to close the second segment, which precedes the "Report" - including a long and effective sequence, after brief reference to the criminal bombing of Plaza de Mayo, reconstructs the night of the burning of churches, with a spectator Martin officiating of the dispute between the blonde woman and the boy Peronist. As noted at the time Ernesto Goldar, in the apocalyptic vision of Sabato, fire (churches, home and the vantage point of Barracks) works as a resource necessary for atonement after the transgression, which in their view is moral and political. Remember that

On Heroes and Tombs was published in 1961 in Shelf collection of Manufacturing Editor, they left it, about the same time, the shipyard Onetti memorable and original young Southeast Conti. Exactly fifty years ago. What are the Sabato was born in 1911, lived-days or so, another fifty. So here we are, "Dante" in the way of life.

All his previous texts, the brainy men and gear tests and One and the universe, the narrative exercise of the tunnel and thoughtful political foray of The Other Face of Peronism, with its original extent, the flooding did not anticipate this formal outrageous novel that is unlike anything that was written by then. It is also clear that the main texts that followed, the ghost writer and his presumptuous to Abaddon the destroyer-the rest is miscellaneous-are at the bottom rather than expansion, repetition, turning a nut distorted.
distorted
What was the fixation on the character. Sabato's character, I say, become direct or indirect reference of all texts and / or shares of procerato public for decades. Incisive and devastating trials, insightful critics as George B. Rivera Claudio Uriarte bright or made at the time of the proud master of vivisection. There is now an autopsy. Just remember to what extent the attitude that implied teaching Sabato (auto) awarded and allocated more or less interest, it was placed, without modesty or reserve, beyond good and evil, "above" the contradictions casual, in a land of impunity that allowed natural-famously-first attend a meeting with Videla and then preside over the Conadep. There is something that does not close.

As intelligent reader was ever anthology Sabato Oscar Wilde among its narrators preferred. Few distant figures, however. One of the most brilliant of the brilliant Irish comedy called The Importance of Being Earnest, a title that plays on the phonetic similarity between "Earnest" (formal, serious) and "Ernest", obviously, Ernesto. Hence the range between Castilian translators Importance of Being Earnest and The Importance of Being Earnest. The fine irony of seemingly frivolous Wilde develops after the apparent superficiality of a plot amorous misunderstandings, a parable about the impost corrosive and appearance.

Our Sabato, Ernesto was, always believed in the importance of being / look serious, never trivial or frivolous, clearly concerned about humanity and the fate of Man. I do not know how to say in English "conceited", a minor sin that we all face, "but Wilde surely know the tragic use with sharp property.

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